SIG: Film Group

January 27, 2021, 4:00 pm

Zoom link by request

Series Eleven – Filmed Intellectuals

The films can be screened via the Kanopy streaming site of the Vancouver Public Library

Zoom discussions of each film will take place on: Jan. 27, Feb. 24 and Mar. 31 at 4pm

Hosted by John LeBlanc

Series Eleven: Films featuring intellectuals face serious difficulties in presenting such complex and unique individuals in a medium that often relies on formulaic structures within its standard two hour limit.  Film director Margarethe von Trotta, has addressed this problem by attempting to engage intimately with her subjects, requiring that she identify to some degree with them (for example, as a woman railing against male oppression) as well as trying to discover the real person through their letters, close associates and places they inhabited.  The two hour time limit also requires identifying a representative moment in the individual’s life.  These three films, all by women directors, feature, in the first two films, internationally known intellectuals and, in the third film, a fictional thinker, offering an additional difficulty of creating what a contemporary intellectual might look like.  All three films share a focus on intellectuals as figures of exile, not only mental because of their advanced ideas but also physical, suffering displacement that shows they are not merely mind but also flesh and blood.  

Jan. 27 - Hannah Arendt (2012) – directed by Margarethe von Trotta - is part of a trilogy of films by her on prominent women intellectuals, also including films about Rosa Luxembourg and Hildegard von Bingen.  Von Trotta presents the life of this key 20th century intellectual (played, as in the other films of the trilogy, by German actor Barbara Sukowa) by focusing on her contentious response to the Adolph Eichmann trial in Jerusalem.  A Reform German Jew, Arendt was forced into exile to France then the US by the rise of Nazism.  Her attack on Zionism, crystalized in her Eichmann trial reports and book, made her a pariah of her own Jewish people and her conservative personal life has placed her outside of feminism.   


  • SIG: Film Group

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